Overlays are fantastic for creating a stylistic look to your videos, but they can also help hide issues with the lighting of your shot. Part 4: Create a Look for your Video with Overlays Play with the settings until you have created a look that works for your shot.Adjust the Saturation settings for the Highlights, Midtones and Shadows. Go back to the Inspector and click on the Color Board option, followed by the Saturation tab.For the Luma Settings, add handles to the diagonal line and drag up/down to create a slight S curve in the line.Click on the Color Board drop-down at the top of the Inspector and choose Color Curves.Next, grab the black circle and adjust the Shadows in your shot.Grab the white circle and drag it downwards to decrease the light levels.In the Inspector, clip the Color Board options to view the Exposure levels.In the Effects Panel, search for the Color Board and add it to your clip.The Final Cut Pro Balance Color tool doesn’t affect the overall exposure of a shot, but it can help you separate exposure and white balance issues. The Balance Color tool auto-balances your shots in a single click and is fantastic when white balance is an issue. Part 2: Final Cut Pro Color Quick Fixesįinal Cut Pro has 2 quick fixes for your color correction, and while these won’t fix every shot every time, they can help determine how much can be done to save it. Since the camera can’t tell what is white and what is light, it can’t create the digital information needed to rebuild the shot, so you end up with significant white areas or bright highlights in the clip. When too much light enters the camera, it has trouble distinguishing white areas from super bright areas, resulting in white ‘hotspots’ or ‘blown out areas.’ Shooting in natural light is fantastic for lighting your shots, but you will often find the sky gets blown out on a sunny or overcast day. Overexposure happens when the camera receives too much light through the lens adjusting your camera’s shutter speed, ISO, and aperture can help resolve this during the filming. To figure out if a shot can be saved, it helps to understand a little about what has happened to cause the overexposure in the first place. In these instances, it’s probably easier to reshoot the shot or use a stock footage replacement. Sometimes a shot just can’t be saved, no matter how much time and effort you put into grading and visual effect work. Part 1: How to Determine if Your Bad-Lit footage can be saved Part 4: Create a Look for your Video with Overlays.Part 3: Fix Footage with the Color Board.Part 2: Final Cut Pro Color Quick Fixes.Part 1: How to Determine if Your Bad-Lit footage can be saved.
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